He has also covered award shows and written news stories related to the entertainment business. Rob has covered theater, dance and the fine arts as well as reviewing film, TV and stage. The list includes the likes of Denzel Washington and Clint Eastwood to Kristin Stewart and Emma Stone in Hollywood classical figures like Yo Yo Ma and Gustavo Dudamel to pop stars like Norah Jones, Milly Cyrus and Madonna and authors such as Joseph Heller, John Irving and Lee Child. Throughout his career he has interviewed a wide range of celebrities in the arts. He returned to writing full time in 2010. In 1993, he made the move to features, and in 1995 became the Entertainment Editor for 15 years. Daily News working in editing positions on the news side, including working on the day the L.A. “But my brain has always had this fail-safe where I think, ‘It’s going to happen another way.’ ” “It could have been the end of me,” he admits. “I had kind of a lukewarm night, and then I heard the news that I had lost ‘The Tonight Show,’ ” he remembers.Ĭarrey would get on the show six months later, and, indeed, Carson liked him. The comedian says he had been “a big deal” at 21 in his home city of Toronto when he was booked for “Tonight.” A couple of days after arriving in L.A., he did a showcase at The Improv before he was scheduled to appear. “If Johnny liked me, man, it meant something.” “It’s amazing just how important it was to comics back then because they respected Johnny and they wanted his OK,” says Carrey. Like other young comics at the time, Carrey’s aim was to get on “The Tonight Show” with Carson. He would just come in and tell us stories,” says the show’s executive producer Michael Aguilar. comedians (played by Michael Angarano and Clark Duke) who end up in the closet, but it’s not the only Carrey anecdote used in the show. “I wanted to prove myself and be taken seriously and be as funny as the guys,” she says. “People said that she had to be everything at once - their sister, mother, lover, the funniest person in the world and the smartest person in the room,” says Graynor. ![]() ![]() The actress says she felt parallels between her character trying to make it and what she went through in the job.Īs an example, she points to Elayne Boosler one of the few female comedians who worked in the male-dominated comedy clubs of the ’70s. “For stand-ups, there is no separation between what they do and sharing the truth,” she says. She says it went pretty well, but knows there is a buffer between what she was saying onstage and her real self. Graynor also did a weekend of stand-up, signing up at an open-mike night under her character’s name and performing a routine written for Cassie. ![]() “I didn’t know a lot about stand-up before, but the rhythms are so different. “It’s almost like listening to music,” she says. One thing she noticed was that they sounded different than the comics of today. “What I love about this show is that it marries stand-up comedy and drama and very human relatable experiences,” says the actress, who watched a lot of videos of ’70s comedians to prepare for the role. Unlike most of the others on the show playing comics, Graynor is not a stand-up. In “I’m Dying Up Here,” Goldie becomes something of a tough-love mentor to Ari Graynor’s Cassie, the only female in the group of comedians the series revolves around. “She recognizes that as a talent in herself that she can parlay into something.” Leo says in playing Goldie she discovered that the character understands funny. In fact, when she took the role and shot the pilot, Leo didn’t know much about Shore.Īfter reading up on her, however, Leo now calls Shore a hero, noting that women who grew up in the 1930s and ’40s had very few career choices.
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